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SCREENPLAY BREAKDOWN GUIDE

First page hook: what makes you want to turn to the next page?

Opening scene hook: what makes you want to read the next scene?

Main protagonist(s): no more than two but try to narrow it to one.

Main antagonist(s): no more than two but try to narrow it to one.

Catalysts/inciting events: what are the events in ACT I that set up the ACT II story?

Character description: how are these characters described on the page?

Main character introduced on page # _______________

ACT II turning point: what event starts the second-act story? What page is it on?

Goal statement: what does the character say he/she wants to attain/achieve around the start of ACT II?

Obstacle: What is the seemingly unbeatable obstacle to the character’s goal? For dramas this can be internal but should manifest externally.

Character motivation: why does the character want this goal?

Life and death stakes: what literal or metaphorical death will befall the character if they don’t get what they want?

Desire vs. Need: what does your character need that is in opposition to what they want?

Marshaling forces/forming alliances: what allies does the character make and/or how does the character arm him/herself for the coming conflict?

Midpoint: what is the point of no return or moment of truth for the character? In what way can they not go back to where/who they were? On what page does this occur?

Rising crisis/conflict: what are the obstacles the characters keep running into?

Apparent defeat/false victory: where does the character seem defeated or victorious?

ACT III turning point: what event closes out the second-act story and begins the climax? What page is it on?

New plan: how does the character plan to win in light of the new setback?

Climax: what is the final battle/obstacle? Who wins/loses?

Denouement: what is the resolution of the ACT II story conflict? What is the character’s new normal?

Backstory: what events inform the actions of the character before the start of the story?

Supporting characters: how do the secondary characters support the main character’s storyline?

Character worldview: how does the main character see the world? Why?

Description of world: how does the author build a world on the page?

Setup/payoff: what plot elements are introduced in ACT I (or the first half of ACT II) that pay off in/by ACT III?

Subtext: how are characters saying what they don’t mean or meaning what they don’t say?

Plot devices: what macguffins, red herrings, ticking clocks, deus ex machina, or chekhov’s gun elements are used, if any, and how do they pay off?

Theme: What do you think the author is trying to say?